Read it, Read it, You Have To

There is no more room in our bookshelves so I haven't been purchasing books (but I'm rethinking this, one more can't hurt right?)  I wait, impatiently, for new titles from the New York Public Library. Specifically, Richard Ford's Canada, Laura Moriarty's The Chaperone, and Jeanette Winterson's Why Be Happy When You Could Be Normal?  I don't think I'll get them any time soon.  It's more likely, I'll be reading them 6 months from now.  There are a few others on hold but no word... (I feel as if I'm in a library blackhole.  Where are the books!?)

I'm currently reading a book that I've stopped and started five times.  It was clutched in every palm on the New York City subway two years ago. I'm drowning in it, wondering how on earth I'll ever get through.

I have an epic long to-read list and I just feel it's failing me, over and over. I have read so many books these past few weeks where I close the last page and think quick, on to the next one.  I just haven't fallen in love.  Sometimes I haven't even fallen in like.

I'm reading book blogs, book reviews, feeling meh, about everything.  Feeling that I can never quite understand how the reviewer truly feels.   Where are the books where there is no logic, no rhyme, no reason?  It's different than like.  It's different than, oh, yes, that was a good book.  It's even different than that was well written.  I'm talking about pure, inarticulate, head over heels in love books where you just scream Read it!  Read it!  YOU HAVE TO.

So I'm reaching out to all of you.  What's your Read It, Read It, You Have To recommendation?  What's your I will pay you to read this book book?

Since it's only fair I reciprocate, here's three off the top of my head, without thinking: Three Junes by Julia Glass, Purple Hibiscus by Chimamanda Ngozi Adichie and The Book Thief by Markus Zusak.

So, what say you?  

Tuesday Books for Writers! The Book Thief

Two things first.

1. In recent months Tuesday Books for Writers has been all but non-existent. The idea behind it: to better articulate why a book works...which, for me, is a difficult thing to do. I decided to give myself the challenge and have, more often than not, failed to get the posts up. So I have decided to retire the idea and talk about the books I read in another way.

2. Yes, I realize I am quite possibly the last person on earth to read Markus Zusak's The Book Thief.

Now this.

I read The Book Thief during Hurricane Irene. I curled up in it on the couch, then the bed. Back and forth. It is quite possibly the best book to get lost in during a hurricane. But it is not necessarily the best book to finish during a hurricane. Mainly because it is not a book you can easily leave behind. It's hard to look up from a book like this one and put yourself back inside the day.

I have never in my life sobbed so hard for a group of characters. I have shed tears over words and pages...but not like this. This was the kind of emotion I would only be able to sum up in cliches because it would be too exhausting to find the right way to say how it made me feel.

There are so many reasons a writer should read this book. I'm not smart enough to know all of them and list them here. But here is what I can tell you:

The world of this book is huge, all-encompassing. You are in it and you know it. You feel the streets. You know what it means to be there. A remarkable thing.

The words and the way they are strung together are beautiful. Even though so many of the words themselves are strange and ugly. I would never think to put them next to one another and, yet, when I saw them together I would think, there is no better way to say this. Even if there are a million ways to say it.

The characters are really wonderful (understatement of the year.) And you only need to read the book to understand. There's not much more I can say about that.

But there is one device in the book that is used over and over again. And it's the only thing I was able to define and pass along to you and think about using in my own work. (The rest, I could only hope to absorb through a powerful kind of osmosis.)

The Bomb Theory!

Which I learned about from Mr. Alfred Hitchcock. Have you heard about it?

Two people sit at a table having a conversation and Boom! a bomb goes off. That's 15 seconds of surprise.

Two people sit at a table having a conversation and we, as viewers, see a ticking bomb underneath their table. And we wait. And we know what's going to happen. That's 15 minutes of suspense.

You know which method Hitchcock used.

As I read The Book Thief, I could think of no better example of how to effectively use the bomb theory in a book. It's hard for me to say it's a device because it sounds gimmicky and it is not used that way in this book. But almost every chapter begins and gives away the outcome of the scene. And we read, desperate to find out how the book gets to the place we already know it will get to. It's bold. It's risky. And it works in this book.

There is a lot more to say about this wonderful book but this is, at least, some kind of start that will have no end.

I do feel it is a good place to end Tuesday Books for Writers until I find a new way to talk about the books I read on this blog.

If you've read the book, please let me know your thoughts!