Guest Post: Let Setting Emerge From Character

The lovely and talented Laurel Garver is taking over the blog today!   She's going to talk about one of my favorite topics, setting, and how she worked with it in her novel Never Gone.  

Setting is a key element of my novel, Never Gone, about a teen who is grieving the death of her British father, and must somehow build a life with her workaholic American mother. Danielle’s trip from the US to England becomes a catalyst for her to get to the bottom of family secrets. Setting also undergirds the story flow, as one of my reviewers on Amazon picked up: "From the sky-scrapers of New York, to the hills of England, Garver brings you on a lyrical journey that rolls with highs and lows, full of valleys of tenderness."

Thanks, Melissa, for the opportunity to talk about how I chose some of my settings and used a mix of research and imagination to bring them to the page.

The opening of Never Gone is set in New York City. Why not Philadelphia, since you live there?

My story decisions usually develop out of the characters, rather than the other way around. As I got to know my protagonist Dani’s parents, Graham and Grace, it became clear that no other place would work for them. Grace is a driven advertising executive who would never settle for working outside Madison Avenue. Making a living as a professional photographer—which is Graham’s career—requires proximity to the most potential purchasers of this kind of service, like ad agencies.
Honestly, though, New York City is only two hours away, and we have friends there who’ve been a great help answering my questions about family life in the city. I did five trips (combined with family fun) to chose Dani’s neighborhoods and gather sensory details.

How much are your New York locations real, and how much a fabrication?

Dani’s homes in Park Slope Brooklyn and the Upper West Side are based on real buildings. I was able to find real estate listings for her UWS high rise, including floor plans, which I adapted slightly.
Dani’s school Rexford Academy is a fabrication based roughly on a private school on 91st, though I place it in the West 70s. Her church is riff on All Angels in the Upper West Side, mixed with several Anglican/Episcopal churches I’ve visited in the US and Britain.

I think it’s important to make your fabrications realistic by drawing details from real places.

A majority Never Gone takes place in a rural English village, Ashmede. How did you choose the location? How real are your British settings?

I wanted the time that Dani spent in her late father’s hometown to challenge her strong identification with him. The setting had to be a big contrast from her very American, very urban home, so her dad is not only foreign, but rural.

I’d originally planned to set the story in the Cotswolds in the southwest near Wales, where I lived for a semester in college. But while I was researching and drafting, friends invited us to visit them in Durham, which is up north. When I discovered that folks from northern Britain face deep prejudice in the south, it made Graham’s back story even more compelling. He’d have a hard time breaking into photography in London because of his accent, and would more easily find work in the US. Americans don’t understand or really even hear regional differences among British dialects.

So that visit turned into a major research trip. I invented Ashmede (a popular name for streets, but no village bears it) from places I visited then, and a North Yorkshire village I stayed in during spring break as a student. Durham Cathedral, a real location I fell in love with on my research trip, is the backdrop for several chapters. I also set a chapter at Kings Cross Station, where all the northbound trains leave London. It worked nicely on a couple of levels, including Dani’s love of Harry Potter.

What advice would you give other writers about setting?

Remember that where you come from shapes who you are. Start with your character and do your best to follow logically where such a person would come from and where he or she would naturally chose to go from there.

Second, there is no substitute for real, on-the-ground research. Even if you choose to invent a town like I did, you need authentic details from that geographic area. What is the weather like? What unique topographical features (mountains, forests, deserts, etc.) affect daily life? What is local cuisine and how does it taste? How does the area typically smell and sound? Is the culture informal and inviting or uptight and suspicious? What do the locals do for fun? What slang expressions are typical? You can’t get any of that information from Google street view.
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Laurel Garver is the author of the Never Gone, a young adult novel about a grieving teen who believes her dead father has returned as a ghost to help her reconcile with her estranged mother.

Add it on Goodreads. It is available at Amazon.com, Amazon UK, Barnes and Noble, Kobo, Smashwords, CreateSpace.

The Heart Of A Place

The more time I spend in New York City (I have been living here since 2004) the more I realize what an intimate place it is. I don't know if others view it that way. The sheer amount of people, the absurd pace of life, the lingering anonymity might lead us to believe that New York is a place of loud, rude, superficial encounters. It isn't.

Our local bodega is a very nondescript, somewhat dingy place, but it is our place. The owner is always there to talk about the daily news. He knows everything that is happening in the world as it unfolds, sitting in front of his portable television behind the counter. And on sunny days he sits outside in a metal folding chair waiting for customers, smiling and enjoying time spent outside his small, windowless world. He has talked me through some very serious deliberations about what pint of ice cream I should buy and his door is open when all the other doors in our neighborhood are closed.

But for the past week, the place has been sealed shut, the result of what I can only assume was a fire, although I can't find any record of it anywhere. The past few days we have noticed that hand-written notes have been popping up to say, simply, We miss you.

To know the heart of a place is not easy. It is often discovered slowly, after many years. People come to New York for many reasons. And, despite the amount of people here, it can be a lonely, often desperate, city. But it is not a city of strangers.

Your Last Five Books

I think it’s time to reflect on the last five books again, where I randomly try and figure out what the last five books I read have in common. This time around, I got a little stumped. These books cover a lot of themes but the only shared characteristic I could come up with is the idea of opening your eyes to a ‘new world’.

My Last Five Books
Delirium by Lauren Oliver
Room by Emma Donoghue
Brooklyn Was Mine edited by Valerie Steiker & Chris Knutsen
Olive Kitteridge by Elizabeth Strout
When You Reach Me by Rebecca Stead

In Delirium, a young girl challenges the world she knows; the conventions, the ideals and the values she has grown up with. All of her preconceived notions are turned on their heads and she yearns for a world where she can be free to love.

Room is also a story about being confined in a world with certain rules and expectations and then being released into a new world for the first time.

Brooklyn Was Mine is a series of essays about Brooklyn. Each writer’s experience in the borough is told through a different gaze. As you pass through each story you enter a new Brooklyn.

I’m not sure that Olive Kitteridge completely fits the theme. But why let one unique book ruin the party? It is a series of short stories about the residents of a small town and a woman who is not always accepting of the world around her.

And When You Reach Me is all about opening ourselves up to the possibility that we can travel beyond this world and live parallel to it in a new space.

What are the last five books you read? Any shared themes you notice?