Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Sunday, November 25, 2012

An Amazing Discovery: Steinway Hall

Today (which, as I write this post, turns into yesterday) I discovered what I now think is one of the most beautiful places in New York City: Steinway Hall, the flagship store of the legendary Steinway & Sons.  

I walked the showrooms in awe. Sheet music lined the overstuffed shelves. Music escaped from the practice rooms. The place is all marble and gold, grand and impossible.  So much black and white gleam, your own image reflects in the propped-up lid and a set of four hands runs across the keys. 

It reminded me how beautiful and regal the instrument can be. The kind of epic stories it can tell.  I will walk this place when I want to feel joy. 

I miss playing the piano.





Also...I apologize if this blog is turning into a strange photography romp through New York City.   I'm going through a bit of a rough patch in this space and I hope to find some kind of focus soon.  Until then.  Well.  I don't know.

Tuesday, August 7, 2012

Thinking of Marvin Hamlisch and Melody as Memory

With the news of composer Marvin Hamlisch's death, I am thinking of his song What I Did For Love.  It's a song I played over and over and over on my piano. The lyrics (by Edward Kleban) are beautiful.  But it is the piano intro, the steady porch swing quality of those early repeating notes-- that later come back to haunt again-- that is caught inside me.

It's interesting, the way music stays with you, how its rhythm becomes your rhythm. I always find it strange that you can hear a song in your head.  All of us can do it.  But how is it possible to hear without hearing?  How does melody replay itself as memory? 

It's been a while since I shared the Linda Eder love.

In memory of the people who give us the remarkable gift of song.

Sunday, July 15, 2012

Forever Guessing

I live in a city I love very much but it can feel loud, crowded, plastered in concrete. Sometimes I am desperate for relief. I need to see some green.

I don't have a car and escaping to nearby quiet can turn into an epic journey. A 26 mile trip to my home town, with all its various modes of transport and transfers takes just over 2 hours.  Technically, a certain Kenyan can run there faster (Geoffrey Mutai's fastest marathon time is 2 hours, 3 minutes, and 2 seconds.)

So, in an effort to find the nature I crave, I have come to accept the travel time.  I wait on oppressively hot subway platforms, stick to greasy subway seats.  I take the Sunday Times and read it cover to cover.  I devour entire books.  I make it happen.

Today Tyler and I journeyed one and a half hours to Van Cortlandt Park in the Bronx to hike its trails.  We crossed the breezy fields, passed a cricket team clad in crisp, white uniforms.  A haze of hamburger smoke hovered over three generation family barbecues. We made it to the hare and tortoise marked trail, crossed over the highway (yes, in New York City, hikes involve crossing highways) and found complete solitude. Quite possibly because no one else in their right minds would take a hike...in the Bronx...in a wet-blanket soup of weather.  But I am nothing if not determined.

As we approached the end of our here we go loop-de-loop, we were greeted with the best kind of sound. Not the call of birds or the scamper of deer but a sound unique to a city full of life.  In a mess of trees and raspberry bushes and runaway black-eyed-susans in pink: a band bursting with song.

I don't know any other city in the world that can boast hiking trails complete with live concerts.  It's why I love New York.  It's what keeps me forever guessing, never knowing what I'll find.

Last stop on the 1 train


Hazy cricket


The Hare and Tortoise Trail

Sun sparkle through these skinny trees


Proof New York City is not entirely concrete


Surprise!


Wednesday, June 6, 2012

Laguardia, Spain


We climbed and the sun hit sideways from its corner in the sky, so that we were still sweating late into the evening.  It was a place that never seemed to meet dusk, that slipped into night the same way you became a shadow, one step forward and then gone. The concrete stairs were deep, the sloping streets just slivers, a mere taste of all we couldn't know.

Brown sandals strapped across my ankles and I felt every slant of cobblestone. It kept me alert. I was afraid I'd falter, afraid I'd tumble backwards, down, to where I belonged.  But we met the top, found its center, and each slivered street became the fingers of the plaza's open palm.

Someone had told us there would be music there at eight o'clock sharp. La musica, she had said, the only word we knew among so many more.  We waited against the walled Plaza Mayor for someone to appear with an instrument strapped to their backs, slung over their shoulders or squeezed between two hands.  We waited for a concert.

Plastic-wheeled tricycles hammered across concrete.  A football leapt towards the wobbly tables of the surrounding cafes. Ice pop-purple lined the boys mouths, graffitied their tongues. The girls sat in a deliberate circle.  And I understood, in a way I could not understand the language of anyone else in the village, that the pale, blue-eyed, red head was their fearless leader.  Her hands tacked to her hips.  Her grim pout.  I had known her once.  Had known the girl beside her, who hugged the stone column with a strange sideways glance.  Her perfect, bright, blue-ribboned bow stuck out from tangled black hair.  They were girls who would have caught fireflies, run across the suburban streets of my childhood with green-stained knees.

We heard the sturdy chime. Heard the cuckooed bellow of eight o'clock. The bells clanged one after the other. Then I felt their easy side to side as they plunged into a fanciful melody.  "I think this is it," I said. I no longer waited for someone to arrive, no longer wondered what the spectacle would be.  We listened.  We shrugged.  "This is la musica."

Just as we were about to turn away and wander further into the depths of the yellowed, lazy slices of street, everyone stopped.  The tricycle wheels slowed.  The football sat in the clutch of a protective arm.  The girls' chins yanked upward. Everyone's gaze shifted, then settled. The doors of eight o'clock whirred open, mocking our premature dismissal.  Above the arches, against the stone, the giant clock with its proud golden hands became a music box. Three molded dancers marched and churned in their dizzy, wayward spin.

When the minute ended, the dancers retreated.  The doors to the clock closed and the plaza found its sway once again.  Frenzied feet on the pedals of the tricycle.  A football soaring overhead. The girls fell back into their easy chatter. This is their summer, I thought. This is eight o'clock in the Plaza Mayor.












Thursday, April 19, 2012

Cyrille Aimee and A Crowded Mind

My mind is crowded these days. If I've been out of sorts, I apologize.  I've been pushing myself really hard and if I'm not pushing, if I'm sitting for even just a moment, I am angry with myself for not pushing far enough forward, and it's strange and exhausting and I'm working on this part of me that can't sit still, can not relax, I swear I am, but working on it is, in reality, just another thing to do.

(Is this making any sense?) (I've been asking that a lot lately. In metaphorical and real parentheses. Like this.)

Tonight is what I'll call 'working on it'.  I'll see one of my favorite singers, Cyrille Aimee.  I LOVE her voice, I love to be in it for the time it takes to step inside and I can not wait to see her live for the first time.

I rarely click on videos when people post them .  I'm not sure why.  But I hope you'll click on this video, because you don't have to watch it, there's nothing to see, you just have to listen while you run off and do other things.

Maybe you'll like to listen to Cyrille (we're on a first name basis, I've decided) as much I do.


Friday, March 16, 2012

A Splurge


I may have mentioned once or one hundred times that I love Linda Eder.  Just hours ago, I was fortunate enough to see her live (I mean really see her, just 20 feet away) at Feinstein's, a classic Manhattan night club that feels like stepping into a time warp.  In the ladies room, I saw two elderly women with snowy puffs of perfectly coiffed hair, wearing fur coats on this unseasonably warm day.  This is the Upper East Side, folks.  Steps away from Bloomingdales.  A glitz and a ritz away from Madison Avenue.

To be honest, I could not afford this show.  And I certainly could not afford the insanely overpriced bottle of Pinot Noir on our table.  It was both a surprise and relief when I landed a new writing gig this afternoon AND when I stepped into my boss's office to receive a (very modest) bonus check.  Both justified that bottle of wine and my initial splurge.

Tyler and I chatted with the woman sitting at the table next to ours.  She had flown from Utah.  She had ordered a feast at her table for her and her alone.  An appetizer, entree, champagne, dessert. She would not only see this show, but she would see Linda Eder at tomorrow night's show and, again, at the show the night after that.

Suddenly, my 'splurge' did not seem so epic.  Later, we wondered if her costly trip was a bit excessive.

I am far too sentimental about music.  I cry way too often over a violin.  I barely held it together during Linda Eder's rendition of Somewhere Over The Rainbow (Is there no song sadder for a person with too-big dreams?)  Maybe that sentimentality is the fault of the novel I am desperate to publish right now. I hang on to old songs. I try to write about once-famous singers.  I think finding your singing voice is a coming-of-age tale.

But, I don't know, I am lucky.  So very lucky to have what I have.  Maybe I'm spending money on the wrong things.

How much would you pay to take a long walk with someone you love on a blue-sky day?  Look up a tree?  Eat an ice cream cone?

Maybe there is no price too high to listen to a beautiful song.  To hear a voice that brings you joy.