YA: What's Next, Thoughts on Publishing Conferences

Yesterday, in classic last-minute-Melissa fashion, I was really lucky to attend the YA: What's Next -- Children's Publishing Conference hosted by Publishing Perspectives.

I felt so incredibly happy and proud to hear my friend Beth Kephart who delivered the keynote. Her beautiful words started the conversation and placed us all in this remarkable mind-space, capturing the beauty, the immediacy and the urgency of young adult literature, how it transcends any label. You can read the start of it: here. (UPDATE: Read the speech in it's entirety here !!!)

When I attend publishing conferences, I love to learn from the people who call this industry their home.  Sometimes, I don't love what I learn.  Sometimes, it sounds like a lot of very loud noise with unwavering definitions and slaps of labels.  Sometimes I see boxes and lines being drawn and I see a real danger in that way of thinking.

What, for example, would have happened if someone had followed the rules and drawn lines for a book like The Book Thief, one of my favorite books of all time?  What would have happened if someone said, this isn't narrated by the voice of a 14-17 year old protagonist, and it doesn't belong on any shelf, and it doesn't fit in the six letter alphabet we've created for ourselves: YA, A, MG, PB?  What story would the world have lost because a set of words didn't exactly fit into a planogram?

Sometimes, if I'm being honest (and I am), I start to see the publishing industry as a fortress, a military stronghold that nurtures certain big blockbuster books and doesn't let anyone else in.

But, then, I remember that The Book Thief is a book.  And Beth Kephart's books are books.  And all of the incredible and important books that aren't conventional or aren't blockbusters, books that challenge labels and yet are labelled in some way, some form, because someone allows them to fit somewhere, thus changing the very label they own (which, if you think about it, is amazing), are...

...tada...

BOOKS.

And then I feel really great about the publishing industry.

Have you been to a publishing conference?  Do you go through a similar (or different) wave of emotion?  Or am I just weird? (Don't answer this last question.  Okay, fine. Answer it)

An Amazing Discovery: Steinway Hall

Today (which, as I write this post, turns into yesterday) I discovered what I now think is one of the most beautiful places in New York City: Steinway Hall, the flagship store of the legendary Steinway & Sons.  

I walked the showrooms in awe. Sheet music lined the overstuffed shelves. Music escaped from the practice rooms. The place is all marble and gold, grand and impossible.  So much black and white gleam, your own image reflects in the propped-up lid and a set of four hands runs across the keys. 

It reminded me how beautiful and regal the instrument can be. The kind of epic stories it can tell.  I will walk this place when I want to feel joy. 

I miss playing the piano.

Also...I apologize if this blog is turning into a strange photography romp through New York City.   I'm going through a bit of a rough patch in this space and I hope to find some kind of focus soon.  Until then.  Well.  I don't know.

Happy Thanksgiving

Sending love to you all this Thanksgiving.

This Is: New York Alive

This. As a follow-up to last week's photo. Because we're still counting the years. We're still trying to decode the mystery.

Them. Because they are tangled, windblown, like I used to be. Because they're together but each one looks towards another something else.

Her. Because the words can't wait.

This. Because maybe gold will stay longer than we thought it would.

For the story of New York Alive go here.

Thoughts On The Great Unexpected By Sharon Creech

Obviously, I like to read many different books but it's rare I find the kind of book I like to read.  The Great Unexpected, for me, is that kind.

I like books that have a sort of 'grounded magic' (I just made this up.)  And when I say that, I mean that I like books that feel magical, through the music of their prose or the way they dance through an experience.  These books don't have to take us to foreign magical lands because the author or the characters see this life, this world, as a place of wonder.  A place that is magical enough.

In this book, a boy falls from a tree and a reality is shaken at the same time that the event bridges a connection.  A girl 'goes to the moon' and it's not a physical journey but, instead, a new perspective, a way of looking down and asking what 'truth' is, what 'real' means.

I like the humor in this book as much as its seriousness. I like the voice, the way it questions and yearns.  But I really like the wonder in it.  The magic.

I can't share thoughts about Sharon Creech's work without sharing the beauty of her words and the complexity of her ideas.  So just one moment (of many) here:

I told Nula the story of the knight and his glimmering armor and the golden woods.  She said, "Naomi, you know that is a story, don't you?"

"But what is 'a story'?  It's in here now" -- I tapped my head -- "with all the other stuff, so maybe everything is a story."

It is hard to tell, sometimes, where a story ends and a life begins and where memory fits in between. I like the idea that they might all share a space together without distinctions.

Writing When the Sun Comes Up

Since I can remember, I have written late at night, after all else is completed and the day is done. In recent years, this has meant that the clock will tick towards 10pm and I'll finally sit down on my little couch, fling my knees over the arm of it, and begin.  It also means I'll go to bed very late with a fever of words and I will not fall asleep until something inside me simmers and slows.

In the aftermath of the Sandy storm, I was given a rare week off from work.  I researched, wrote and cooked most of each day.  I read before bed, then fell asleep quickly.  For the first time in years, my sleep was heavy.  I woke up rested. I remembered my dreams.

My restful sleep may have had something to do with the fact that I did not have to go in to the office. But writing during the day also meant that my mind was far more peaceful at night.

As a result, I've decided to make a significant shift; to reverse my writing life. To write in the morning after I rise with the sun (well, in these days, before it.)

It's only been a few days since I began the experiment.  I'm not sure it will be an easy transition.  I have always written very late at night. Since I was a little girl. My parents would go to sleep and I would turn my light back on. Writing has always been a secret in the dark. Just for me.

But since I began, I realize the ritual is symbolic. Writing is the first thing I do.  Not the last.  I wake up happy, knowing I have given myself the time to be with my secret, to do what I love.

We'll see how this goes.  I don't know how I'll feel at the end of the week, how my body will react to new hours of sleep, how I'll fare for the hours I need to be at the office and the freelance work that awaits me when I get home.  But we'll see.

What time of day do you write?  Have you ever made a significant adjustment to your writing schedule?

New York Alive

Last week I mentioned in an email to a friend that New York looked (among other adjectives) 'alive'.  She asked what New York alive looked like. Which is one of the best questions I've ever been asked.  The answer came to me in a film strip of images.  

I thought it would be fun to look for and capture New York alive which can be interpreted in many ways. I thought it might help me be a better see-er which will make me a better writer. I thought it might be fun to place my findings here whenever I feel like it.

So that's my upfront.  This is what I'm finding.

What does your home, your city, your town look like alive?

 These. Because the shoes are birds.

This. Because there's wonder in a fallen tree. We run our fingers across the rings. We measure growth.